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Born Minnesota, Nov. 22, 1895; died, New York City, May 19. 1968. Primarily a lithographer, Dehn's work is said to be collected by 20 museums, including The Smithsonian and The Metropolitan Museum of Art in NY. NYer work: three drawings, Sept. 6. 1930; June 15, 1935; May 23, 1936. (http://michaelmaslin.com/index.php?page=nyer-cartoonists-a-z)
"Dehn is considered one of the master printmakers of the mid-20th century. Having studied art in his native Minnesota and the Art Students League in New York, his first jobs as an artist were illustrating magazines. He met Ash Can School artists George Luks and John Sloan and found that he shared their interest in depicting realistic scenes of city life. While living in Europe between 1921 and 1929 he produced lithographs which satirized the excesses of wealthy members of society. He also became fascinated with landscape, particularly mountain landscape. Dehn’s first one person show of his lithographs was in 1930 right after the collapse of the world economy, and it initiated a period during which he worked primarily on public art projects.
In 1937 Dehn made the crucial decision to paint in watercolor. Standard Oil hired him to do watercolors of their extensive holdings. After World War II, during the 1950s and 1960s, he achieved financial success with his painting. Although Abstract Expressionism was the big thing at the time, he refused to take his landscapes into abstraction because he felt it was too personal of a style and not understandable to the general public. However, while one sees regionalism, social realism, and Japanese landscape painting in his work, Dehn was capable of producing watercolors of lyrical fantasy. Some Fish is one of those works. While the fish forms are depicted with a certain amount of realism, they have an almost whimsical, aware quality to their faces, and they float in an unspecified environment." Source: http://www.curatorscorner.com/2010/08/unique-artist-of-his-time.html