"[His] highly psychological sculptures contort and mold the human body. Using polyester, synthetic resin, paint, and metal, he forms hybrid realism in his mutated versions of our anatomy. Where skin usually holds a warm glow, his work exhibits a pale, lifeless aura. Limbs sit detached from the body, or even more disturbing, emerge from an unnatural place, like the face. Both unsettling and intriguing, Rata’s sculptures twist and contort, making us feel uncomfortable and suddenly very aware of our own bodies. The sculptor’s deformed misfits reflect on the imperfection felt about our own bodies and appearances. Our own insecurities are met and reflected in Rata’s psychologically surreal artwork. His work is not only hard to look at due to their grotesque qualities, but the positions many of the sculptures are in appear painful and awkward. Each piece seems to be uncomfortable in its own skin, uncertain of its own body and what to do with it. This is a feeling we can often relate to, as becoming confident in our bodies is often a difficult part of life. Rata hints at the confusion and difficulties brought on by self-identity issues in such works as his bust of a man with no face. His distorted figures are lost, looking for acceptance. Although they at first seem misshapen and horrifying, a strange beauty and compassion can be found in Rata’s fascinating work." http://beautifuldecay.com/2015/06/15/bogdan-ratas-grotesque-mutated-sculptures-explore-body-politics-self-identity/ "...one of the most intriguing sculptors from his generation. His new hybrid realism is finding new genetic forms of human anatomy in search of a new posthumanism. Rata multiplies human parts (fingers, ears, and so on) and combines them into new life forms. The newborn creatures seem to result from strange experiments on human bodies in an esthetics lab." http://artdaily.com/news/71451/Sculpture-of-Bogdan-Rata-in-front-of-St--George-s-Hall-within-Independents-Liverpool-Biennial-#.VqJWXFJur9I undefined

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