As one might expect, her poetry and visual works are present throughout in both painting and tapestry form, but there is also the unique fusion of the two in her leporello: accordion folded notebooks that Adnan has used throughout her career. Fattal explains that "the leporello are so understated, quiet, but so powerful when you unfold them. A bit like Etel – they reveal themselves bit by bit." The leporello on show feature a number of poems translated by contemporary Arab poets, accompanied by drawings and expressive blocks of colour, further demonstrating her commitment to communicating in multifarious mediums. (http://www.anothermag.com/art-photography/8880/the-exuberant-works-of-artist-etel-adnan) She excels in many media—paintings, tapestries, novels, poems—but the most unique, I think, are her leporellos: accordion-folded booklets of the sort once sold in Victorian England as souvenirs, folding out to reveal panoramic illustrations. Adnan uses them to a variety of ends, often using them as vehicles for unpublished poems and fragments. Some of them are more than six and a half feet long when fully extended; on one of them, she wrote a series of poems in Arabic, a language in which she seldom composes. (https://www.theparisreview.org/blog/2015/04/14/etel-adnans-leporellos/)