Evelyn De Morgan (30 August 1855–2 May 1919); English painter whose works were influenced by the style of the Pre-Raphaelite movement. She was a follower of Pre-Raphaelist Burne-Jones. Her paintings exhibit spirituality; mythological, biblical, and literary themes; the role of women; light and darkness as metaphors; life and death; and allegories of war. ...In 1887, she married the ceramicist William De Morgan. They spent their lives together in London. De Morgan, a pacifist, expressed her horror at the First World and South African War in over 15 war paintings... Wikipedia George Frederic Watts said of Evelyn De Morgan: 'I look upon her as the first woman artist of the day — if not of all time'. Evelyn De Morgan née Pickering was born on 30 August 1855. Her father was Percival Pickering QC, Recorder of Pontefract and her mother, Anna Maria, was a descendant of the Earl of Leicester, also known as Coke of Norfolk. Early on Evelyn decided she wanted to be an artist and persuaded her parents to allow her to enroll at the Slade School of Art in 1873, 2 years after it had opened. The classical training she received under the then Principal, Edward Poynter, influenced her choice of subject matter and composition. Her uncle, artist Roddam Spencer Stanhope, was the other major influence on her work. He lived in Florence and Evelyn made many trips to see him and to study the Renaissance masters, particularly Botticelli and his Florentine contemporaries. It was here that she began to move away from classical subjects favoured by the Slade and her own distinctive style of allegory and symbolism emerged. She was one of the founder exhibitors at the Grosvenor Gallery, the avant-garde alternative to the Royal Academy where she exhibited alongside work by Sir Edward Burne-Jones, George Frederick Watts and Sir Lawrence Alma-Tadema. Evelyn died in 1919 aged 64, continuing to paint until a few days before her death. http://www.demorgan.org.uk/collection/paintings undefined

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