Giovanni Gaspare Lanfranco (26 Jan. 1582 – 30 Nov. 1647); Italian painter of the Baroque period. Born in Parma, the third son of Stefano and Cornelia Lanfranchi, and placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling. Lanfranco is considered to have contributed to the panel of Polyphemus and Galatea (replica in Doria Gallery) and some minor works in the room. Afterwards, while still technically a member of the Carracci studio of Carracci, Lanfranco, along with Guido Reni and Francesco Albani, frescoed the Herrera (San Diego) Chapel in San Giacomo degli Spagnoli (1602–1607). He also participated in the fresco decoration of San Gregorio Magno and of the Cappella Paolina in Santa Maria Maggiore. ...Lanfranco was fairly eclectic in terms of style but preferred a visionary, theatrical approach suitable for the ceiling paintings gaining currency in the early 17th century. His works suggest some influence from the late work of Ludovico Carracci, a cousin of Agostino and Annibale, and possibly from Caravaggio (as, for example, in the altarpiece depicting the Inspiration of Saint Luke at Piacenza (1611)), though the ... ....Lanfranco was a versatile and eclectic trainee of the Carracci, and continued their tradition with dramatic flair compared to the often restrained Domenichino, who mimicked mainly Annibale's grand manner. Lanfranco explored new styles, bridged traditions, painted in both mannerist and baroque styles, using a tenebrist and the colorist palette. Among his pupils was Giacinto Brandi. (https://en.wikipedia.org/wiki/Giovanni_Lanfranco) undefined

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