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Jean-Baptiste-Siméon Chardin (French: [ʃaʁdɛ̃]; 2 November 1699 – 6 December 1779) was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work.
....Chardin worked very slowly and painted only slightly more than 200 pictures (about four a year) total.
Chardin's work had little in common with the Rococo painting that dominated French art in the 18th century. At a time when history painting was considered the supreme classification for public art, Chardin's subjects of choice were viewed as minor categories. He favored simple yet beautifully textured still lifes, and sensitively handled domestic interiors and genre paintings. Simple, even stark, paintings of common household items (Still Life with a Smoker's Box) and an uncanny ability to portray children's innocence in an unsentimental manner (Boy with a Top [right]) nevertheless found an appreciative audience in his time, and account for his timeless appeal.
Largely self-taught, Chardin was greatly influenced by the realism and subject matter of the 17th-century Low Country masters. Despite his unconventional portrayal of the ascendant bourgeoisie, early support came from patrons in the French aristocracy, including Louis XV. Though his popularity rested initially on paintings of animals and fruit, by the 1730s he introduced kitchen utensils into his work (The Copper Cistern, ca.1735, Louvre). Soon figures populated his scenes as well, supposedly in response to a portrait painter who challenged him to take up the genre. Woman Sealing a Letter (ca. 1733), which may have been his first attempt, was followed by half-length compositions of children saying grace, as in Le Bénédicité, and kitchen maids in moments of reflection... (https://en.wikipedia.org/wiki/Jean-Baptiste-Sim%C3%A9on_Chardin) undefined