The content on this page is aggregated and is not affiliated with the artist.
Jonas Wood’s paintings of contemporary American life blur the boundaries of figuration and abstraction. In Rosy’s Masks, an interior scene dissembles into a myriad of shapes, colours, and geometric patterns, their quiet formal tension setting the tone for Wood’s suburban subject matter. Using the domestic as a departure point for escapism, the claustrophobic composition expands into the internal space of daydream, with the muddied tv screen and stylised furnishings set like stage props against a backdrop of hallucinogenic jungly wallpaper. Giving nod to historical precedent, the masks and tabular design evoke connotation to Picasso’s
primitivism and surrealism.