"...as Althusser noted in his remarkable essay on Cremonini, that painter of the real abstract, of the capital-relation: ‘The structure which controls the concrete existence of men, i.e. which informs the lived ideology of the relations between men and objects and between objects and men, this structure, as a structure, can never be depicted by its presence, in person, positively, in relief, but only by traces and effects, negatively, by indices of absence, in intaglio (en creux)’." (https://cartographiesoftheabsolute.wordpress.com/2012/07/01/red-iconoclasm-then-and-now/)