Marcus Gheeraerts (also written as Gerards or Geerards, and sometimes known as Mark Garrard) (Bruges, c. 1561/62 – 19 January 1636) was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and Van Dyck." He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s. Marcus Gheeraerts the Younger was born in Bruges, the son of the artist Marcus Gheeraerts the Elder and his wife Johanna. Hardly anything is known of the paintings of the elder Gheeraerts, although his work as a printmaker was renowned in Europe. Like other Protestant artists from the Low Countries, Gheeraerts the Elder fled to England with his son to escape persecution in the Low Countries under the Duke of Alva. His wife was a Catholic and remained behind and is believed to have died a few years later. Father and son are recorded living with a Dutch servant in the London parish of St Mary Abchurch in 1568.... The earliest signed paintings by Gheeraerts the Younger date from c. 1592, but Roy Strong identified a set of portraits of William Cecil, 1st Baron Burghley dated to around 1586 as likely based on an original by Gheeraerts. Although raised in England, Gheeraerts' work reflects a continental aesthetic very different from the flat modeling of features and pure, brilliant colours associated with associated with Elizabethan artists such as Nicolas Hilliard. "The implications suggest that Oliver and Gheeraerts singly or together.... (https://en.wikipedia.org/wiki/Marcus_Gheeraerts_the_Younger) undefined

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