"...born in Tel Aviv. She studied philosophy at Tel Aviv University from 1973 to 1974. From 1975 to 1979, she pursued advanced studies at the High School for Art in Tel Aviv. In 1983, she went to Japan to study calligraphy and sumi-e painting. Heavily pregnant in 1984, she was told by a senior artist in the Kalisher School of Art, "You'll never be an artist now." She said this made her feel terrible, but also strengthened: "We were operating in a male environment, in a culture that believed that the great artists are men. It doesn't matter what your feminist views were, in the end you were left with that. The way to success was to adopt that attitude and not to be a mother. Women who wanted to enter the field had to be like that." In the 1980s, after gaining a stipend to work at a center in the United States, she said that she would attend with her daughter, and was sent rules, which included "no children or pets". She initially believed that she had to make the choice between motherhood and a career as an artist, but became one of the few women artists at that time who decided that motherhood was compatible with being an artist. Women artists of the previous generation had either chosen not to have children, or left children with others to look after, such as Lea Nikel, whose daughter lived in a kibbutz. Very few women were art school teachers and those who were did not have children 1994-5, she studied calligraphy in Beijing, China. ... ....The characteristic of her work is a complexity of paint streaks, which have used organic images such as the honeycomb, the palm tree and the sunflower, where her discovery of the golden spiral organisation of the plant's seeds led to an exploration of the Islamic tradition, which counterbalanced her initial influence from Abstract Expressionism and resulted in depictions of upside-down trees, whose branches thus appear to be roots.(Wikipedia) undefined

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