Du Pasquier’s patterns captured the spirit of Memphis’s youthful energy, which sought to reinvigorate visual culture on an international scale, replacing tired Modernist tropes wholesale. For Memphis, she applied these patterns to textiles and furniture, often in concert with George Sowden, whom she later married. She also began producing designs for fashion house Fiorucci (pictured). (http://www.metropolismag.com/April-2015/Surface-Matters/)