Sir Peter Thomas Blake, CBE, RDI, RA (born 25 June 1932) is an English pop artist, best known for co-creating the sleeve design for the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. Born in Dartford, 25 June 1932, Kent, he was educated at the Gravesend Technical College school of Art, and the Royal College of Art. Blake lives in Chiswick, London. During the late 1950s, Blake became one of the best known British pop artists. His paintings from this time included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts and had his first solo exhibition in 1960. In the 'Young Contemporaries' exhibition of 1961 in which he exhibited alongside David Hockney and R.B. Kitaj, he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for Self Portrait with Badges. He came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop Goes the Easel, broadcast on BBC television in 1962. From 1963 Blake was represented by Robert Fraser placing him at the centre of swinging London and brought him into contact with leading figures of popular culture. Work On the Balcony (1955–57) is a significant early work which remains an iconic piece of British Pop Art, showing Blake's interest in combining images from pop culture with fine art. The work, which appears to be a collage but is wholly painted, shows, among other things, a boy on the left of the composition holding Édouard Manet's The Balcony, badges and magazines. It was inspired by a painting by Honoré Sharrer depicting workers holding famous paintings, Workers and Paintings. Blake has referred to the work of other artists many times. Another example, The First Real Target (1961) a standard .... (https://en.wikipedia.org/wiki/Peter_Blake_(artist)) undefined

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