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The fantasy work ‘Rahi Rezvani’ is wilful, but not stubborn and self-assumed. Without being based on the theories of the twentieth century and the various accompanying ideas, it corresponds harmoniously with a similar path in another way. It is based on the principals and systems of visual art. It appears as if he is taking a ‘detour’, and not along the historical process of predecessors in the Art, but his creations belong to an exception, even along an extraordinary and unusual way. The result remains an exception, uniform and in harmony with the rules.
The expertise of Rahi Rezvani in the other genres of the Art is another motive for his visual strength: portraits, still lives, realistic scenes: Wonderful to interpret. He speaks the language of comparison and allegory. The scene is fantasy. Space is fantasy. Colour is fantasy. The composition is fantasy. Everything is fantasy. But there is no place for lies and forgeries. It is false, but not a lie. He has nothing to do with ‘reproduction’ based on the ideas of Aristotle on the imitation of nature, or with ‘speculation’. He has his own interpretation of portraying his fantasy. A picture which is not present in time – as in a story -, but in space.