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Robert Delaunay (12 April 1885 – 25 October 1941; French artist who, with his wife Sonia Delaunay and others, cofounded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract, reminiscent of Paul Klee. His key influence related to bold use of colour and a clear love of experimentation with both depth and tone.
Son of George Delaunay and Countess Berthe Félicie de Rose. While he was a child, Delaunay's parents divorced, and he was raised by his mother's sister Marie and her husband Charles Damour, in La Ronchère near Bourges. When he failed his final exam and said he wanted to become a painter, his uncle in 1902 sent him to Ronsin's atelier to study Decorative Arts in the Belleville district of Paris. At 19, he left Ronsin to focus entirely on painting and contributed six works to the Salon des Indépendants in 1904.
Most closely identified with Orphism. From 1912-14, he painted nonfigurative paintings based on the optical characteristics of brilliant colors that were so dynamic they would function as the form. His theories are mostly concerned with color and light and influenced many including Stanton Macdonald-Wright, Morgan Russell, Patrick Henry Bruce, Der Blaue Reiter, August Macke, Franz Marc, Paul Klee, and Lyonel Feininger. Apollinaire was strongly influenced by Delaunay’s theories of color and often quoted from them to explain Orphism. Delaunay’s fixations with color as the expressive and structural means were sustained with his study of color.
His writings on color, which were influenced by scientists and theoreticians, are intuitive and can be sometimes random statements based on the belief that color is a thing in itself with its own powers of expression and form. He believes painting is a purely visual art that depends on intellectual elements, and perception is in the impact of colored light from the eye. The contrasts and harmonies of.... (https://en.wikipedia.org/wiki/Robert_Delaunay)