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New York City-based artist Shane Hope creates complex and colorful 3D-printed paintings of nanomolecular structures. Hope uses molecular modeling research software and crafts custom code to grow generative molecular designs and algorithmically automate alternative representations of nano-scaled structures. With intent to literally convert digital bits back into atoms and properly relate the operative ideologies of 3D-printing to the research and development of theoretical nanofacture, Hope has hand-hobbled together from scratch a number of RepRaps (3D printers) which he uses to materialize (or literally to print) his amassing cache of newfangled nanomolecular models. Hope collages together thousands of these 2D rendered and 3D printed models into painterly compositions depicting things organic, inorganic, synthesizable, theoretically feasible, nonsensical, and nonobjective.