Tamen (他们) is an artist collective composed of two young artists, Lai Shengyu (赖圣予) and Yang Xiaogang (杨晓钢), who were born in Hunan Province in 1978 and 1979, respectively. The group is alternatively referred to as “Ta Men” and “They”, which is the English translation of their name. As a collective, they reject notions of self and individuality in art by co-painting each work and collaborating in a manner that draws attention away from the individual. Lai and Yang received post-graduate degrees from the Central Academy of Fine Arts in the Department of Printmaking, and are currently based in Beijing working at Beihang University (BUAA) in the Department of New Media Art. Tamen was founded based on the artists' common understanding and ideal of contemporary art. Expressing doubt at the overwhelming image of the self as advertised by their generation, they slough off these false notions, replacing ‘self’ with ‘they’ and seeking individuality via the collective. The two artists co-paint, co-operate, and co-practice, a wholly collective process that refuses to delineate between the artists – a lack of focus on the individual that distinguishes Tamen from the last and present generations of artists in China. Tamen’s work focuses on the psychological effects of China’s new affluence and its contemporary state of being. Through works of oil on canvas or digital photography, scenes of big-city China or serene nature are flush with symbols to visually emphasize the tension and collisions that Tamen sees as the constant revolution in China’s society. Adopting both montage and Pop Art forms, Tamen plays with the spatial relationships between landscapes, architecture, objects and figures to highlight the curious simultaneity of China’s past and present. undefined

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