(Drawing for The Party) From “The Party” (1966), a skewering of New York’s elite, comes a memorably repellent image: a fat bald man in a morning suit with a piece of Swiss cheese in his open mouth and rats’ tails and rear ends protruding from his eye sockets. It’s worthy of George Grosz and Weegee at their most unforgiving. (https://www.nytimes.com/2015/02/13/arts/design/review-tomi-ungerer-bad-boy-of-art-in-a-reappraisal.html?_r=0)