Stuempfig's paintings, which portray dislocated loners amidst urban and rural landscapes, are often compared to those of famed American realist Edward Hopper. At the same time, his dramatic use of light and classical technique recall the work of the European Old Masters. Stuempfig's painting stands in dramatic contrast... (http://www.tfaoi.com/newsmu/nmus172.htm) Walter Stuempfig (Jan. 26, 1914 – Nov. 29, 1970); American artist and teacher. He was born in Germantown, Pennsylvania on January 26, 1914 to a moderately wealthy family. After graduation from the Germantown Academy, he enrolled as an architecture student in the University of Pennsylvania. In October 1931 he transferred to the Pennsylvania Academy of the Fine Arts, where his instructors included Henry McCarter, Daniel Garber, and Francis Speight. From 1932 to 1966 he exhibited regularly at the Pennsylvania Academy's Annual Exhibitions. In 1935 he married Lila Hill, a sculptor who had also studied at the Academy. Stuempfig was a prolific painter whose works number over 1500. His paintings sold steadily; purchasers from his first solo show in New York in 1943 included the Whitney Museum and the Museum of Modern Art. He painted figure compositions, landscapes and architectural subjects, still lifes, and portraits; all in a style of romantic realism that fell outside the artistic mainstream of his time. Robert Sturgis Ingersoll has written of him: A layman's chat with him would constitute a lesson in late 16th century and early 17th century Italian art. His heroes were Caravaggio, Degas and Eakins. One would risk acrimonious rebuttal if making a disparaging remark with respect to any one of them and earn a more violent rebuttal to a remark in praise of American Expressionism. From 1948–1970 he taught composition and drawing at the Pennsylvania Academy of the Fine Arts. He died in Ocean City, New Jersey at the home of his aunt, on November 29, 1970. (https://en.wikipedia.org/wiki/Walter_Stuempfig) undefined

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