...no larger than a sheet of typing paper, all deliver enormous visual feasts—made of seemingly simple, halting brushstrokes on board that form powerful, intimate still lifes and landscapes that harbor profound psychological mysteries. With just a few hard-won marks, York could render uncanny impressions of the most quotidian subjects: a brown cow in a field, pink flowers in a tin container, a potted plant, a cut lemon that may make your lips pucker. Even up close, there’s no telling how he does it. Those idiosyncratic brushstrokes betray an unmatched willingness to look deeply and continuously and to set aside conventional notions of how objects are supposed to exist in the world. He had a habit of not always painting quite to the edge of his boards, of leaving a bit of his support peeking through, which makes this effect all the more fragile, as if the whole scene scene could disappear in... (http://observer.com/2013/06/albert-york-a-loan-exhibition-at-davis-langdale-company-inc/)