In a trio of works titled The Judgment of Paris, O’Donnell seems to be channeling his inner Joan Crawford (in paintings subtitled Hera and Athena) and his inner Joan Fontaine (a radiant figure flanked by soaring white doves in a painting subtitled Aphrodite). The 1940s hairdos bring out a tougher side of O’Donnell... (http://www.seattletimes.com/entertainment/portland-painter-stephen-orsquodonnell-tries-on-new-drag/) ... I get to design the jewelry that I include in my work. The settings of my paintings span quite a long timeline - the 1500s through to the 1950s - so I've had plenty of opportunity to design pieces that are appropriate to a great variety of time periods. My pedantic heart loves the research this requires, and feels a good bit of pride that I "get things right." Sorry to say that none of these objects actually exist. Nowhere other than in my grandiose imagination, that is. (http://godsandfoolishgrandeur.blogspot.nl/2017/01/mes-bijoux-selection-of-jewels-and.html)